Ori and the will of the Irrichter Review - Metroidvania Masterpiece

---

Challenging, beautiful, elegantly designed and moving - Ori and the will of the voice lights are a pleasure from beginning to end.

In the reconcilating genre of Metroidvanias, 2015 is beautifully and tautly designed ori and the blind forest stands as one of the best publications in the recent past. With ori and the will of the Irlant The developers of Moon Studios have set themselves the goal of doing what all developers should do with every continuation, and develop a game that is even bigger and better - and they have it at all Fronten managed. Wille The Irlant takes the greatest strengths of its predecessor and refines her even further to perfection. At the same time, the aspects, which did not work so well in the first game, significantly improved. The result is an amazingly good game that is considered one of the best that this genre has ever delivered.

May Blinder Forest, _ Easy to move is an absolute joy _Wille of the Irlant. The platform is as tight as never before and is supported by the level design that is constantly introducing new wrinkles and elements that you need to deal with. This forces you to use your Moveset almost constant in a new way. Wille The Irish Lights The platform also reaches very quickly the height of its predecessor - and then surpasses them - whereby the game will provide you all your skills from the first game in the first hours very freely available. Although it starts with the simplest mechanism, it does not take long until it covers a complex network from jumps, strokes, avoidance of environmental hazards and much more to handle levels. Fast, narrow and liquid movement was one of them ori and the blind forest the greatest strengths, and the sequel is aware of this fact, as it has brought everything to eleven.

The narrow platform also goes hand in hand with the exploration, which is a central component of each metroidvania game - and the expertly designed metroidvania title _Wille the mistake is, exploration is always very rewarding. The flowing movement means that they are always ready and willing to escape the beaten paths. This is supported by how well every corner and each gap of the card is designed. The rewards that you receive for your exploration also always bring a dopamine boost with yourself and always justify the effort required to get to them. If you find a hidden corner in a wall somewhere, you may find a nice currency cache you can use for progress purposes while you can lead through platform gloves to meaty rewards. Therefore, the rewards and the way to these rewards are always satisfactory.

With ori and the will of the voice lights The developers of Moon Studios have set themselves the goal of doing what all developers should do with every continuation, and develop a game that is even bigger and better - and they have it done through all the fronts throughout.

Level design also impresses with a larger scale. Although in the first game is much larger than the card, ori and the will of the WISP MAP not saves quality, but delivers the variety in droves. From deserts and glittering pools to frozen mountains and run-down forests, there is a tremendous variety of environmental influences in the game, which is also reflected in a variety of game mechanics.

Each place brings his own threats and dangers with themselves, his own obstacles and challenges, which means that every new area they visit, in tone, atmosphere and much more significantly different from the others distinguishes. The best of everything is that despite their uniqueness, they feel as part of a single, larger, coherent world in which each area fits very credible and organically into all others. This is not just a proof of the incredible visual design of the game, but also contributes immensely to things like the construction of worlds and stories in the environment.

Of course, the storytelling was a decisive element in ori and the blind forest and for the most part _Wille the mistake is with its predecessor from head to toe. In the early hours of the game, the laser sharp focus of the story of the first game is missing - it starts with the simple goal of combining yourself with KU again, after being separated in Niwen, a foreign and dying country, and a clearer ultimate goal In the game, if you are in the game for a few hours.

At this point, ori and the will of the irradiation can be reflected in a structure, with which fans of the first game will be better familiar, and the larger narrative revelations occur more frequently. There are a lot of hard moments with great emotional resonance. Of moments with the main characters that shape the narrative early, to smaller, isolated stories limited to secondary actors in history: Wille The Irish Lights Remembrance with really impressive developments, and they are all with great serenity Delivered, supported by excellent, swelling music, which always meets an emotional beat.

Although in the first game was much larger than the card, ori and the will of the WISP MAP not saves quality, but delivers the variety in droves. From deserts and glittering pools to frozen mountains and run-down forests, there is a tremendous variety of environmental influences in the game, which is also reflected in a variety of game mechanics.

These minor characters are something that Blinder Wald was missing largely. In contrast to Nibel, however, Niwen houses many creatures that act as NPCs, and their addition brings more improvements than you could expect. Thanks to the excellent and succinct dialogue, each of the NPCs they encounter is a lovable personality. From a huge frog-like being with moss that grows over his face, over the adorable monkey-like creatures known as Moki, to a card manufacturer, which she encounters several times, any figure in Niven is a valuable addition to the story in varying degrees Every single one of them to the strengths of the game in building worlds and stories.

For those who have played ori and the blind forest, but it is not a big surprise that _Wille of the Irlant is characterized by things like card design, visual design, platform and storytelling. What When is a small shock for the system, how radically better the fight this time is. Fight in Blinder Wald was in the best case a boring matter, and its flat and repetitive nature was strong contrast to the proper quality of other aspects of the game. Ori and the will of the irradiation rights These mistakes and ensures that the fight can be proud of the society of other achievements of the game.

The biggest factor that contributes to this success is the fact that you now have access to actual weapons - to some of them. Of weapons, with which they can trigger fast attacks, about weapons that are slower, but cause much more damage to weapons that they can use from afar, there are some of them _ori and the will of the voice light. Of them feel appropriately unique and everyone feels great, animated professionally and to land with a pruning impact. You can equip three of them at the same time, each assigned one of a facial button. Changing your equipment is also a very smoother and fast operation. Hold down the left trigger to stop the action and quickly select the desired weapon from a radial wheel.

Therefore, mixing and adapting different weapons in combat to counteract unique threats, simple and seamlessly. A decent amount of enemy diversity also encourages them to continue to do this - some enemies may prefer to stay out of range, while others like to approach close proximity, while others with chaotic and unpredictable attacks may be different threats. Mixing and adjusting these weapons using ORIS set of cross-weight capabilities defines the fight, especially if they are confronted with harder enemies or a number of enemies at the same time, and it is an absolute blast. It does not just feel great from a mechanical point of view, but also offers a lot of visual flair. One-to-one encounters with some of the smaller enemies are still a bit button, but the best of the best encounters can look like bright and eye-catching dances, and these will stay with them the longest.

Fight in Blinder Wald was in the best case a boring matter, and its flat and repetitive nature was in strong contrast to the proper quality of other aspects of the game. Ori and the will of the irradiation rights These mistakes and ensures that the fight can be proud of the society of other achievements of the game.

The part of ori and the will of the voice light The best of the new and improved combat system is that the boss is fighting. There is a whole range of them in the game, from mini-bosses to larger encounters, and all these - especially the latter - are a pleasure that combines great design, challenge and fight to enable unforgettable encounters. Surely they are a great progress towards the boss fights of the first game. Escape sequences also return, and these have also experienced significant improvements. The artificial levels of difficulty and arbitrary requirements that they have imposed on them in the first game were mostly hampered, and they are just as exciting to play as to look at.

Another aspect that was completely revised ori and the will of the Irlant is progress. Completely deleting the capability tree of its predecessor, Wille the irradiation introduces a system that comes in much closer to the charms hohlritter. Everywhere in the world, shards are distributed, many of whom can be purchased, and they offer various unique advantages. One might allow you to stick to walls to facilitate the platform while another health could give you extra health. If you feel particularly safe, you can equip a splitter, with which you can cause significantly more damage at the expense of significantly more damage, but if you want to play safer, you can equip a splitter that makes you more resistant - or you can both Equip together and try to negate the negative effects of the first.

With almost three dozen shards to find and use - which also represents a great incentive for exploration - ori and the will of the irradiation offers a lot of accessibility and offers you many opportunities as you would like to approach a specific situation. Each of these shards can also be updated several times while you can also search and end combat experiments to increase the number of shards that you can equip at the same time. Unnecessarily to say progress in wille of the irradiation is dense and complex and along with its highly improved and varied struggle, something I would never have held in the first game-based, meaningful build variant.

This is also a much fleshiger package than its predecessor. The main story is about twice as long as the first game, which makes it a fairly comprehensive experience, but there is also much more optional content in which one can immerse. Thanks to a larger card, there is plenty of room for explorations, which, as I have already mentioned, is extremely worthwhile. Then there are those NPCs I have previously spoken that occasionally can distribute side quests, which are well designed well and worth it, either for the rewards to which they lead, or for the narrative context, the Add them to the world and the minor characters.

Progress in Wille The Irish Lights is dense and complex and, along with its highly improved and varied struggle, leads something that I would never have held in the first game-internal, meaningful build variant.

Ori and the will of the Irrichter There is also a kind of hub area, a safe port in front of the creeping dangers of the game world, in which the friendly residents of Niwen join together to build a secure port. This place is not just a pleasure to run around and easy to exist while talking to different NPCs. You can also slowly build and improve it by looking for cliff scattered on the map and use them to build improvements. There are also seeds on the whole map, which also help and it is extremely pleasing to see how the area comes together and is growing as a direct result of its efforts and expanded.

An area in which ori and the will of the Irlant has some striking problems is the technical side of things. The graphics and art design are excellent, but the performance of the game is a bit inconsistent. I played the game on an Xbox One X, but there were moments in which it dropped frames or suddenly freez for a few seconds. Luckily, nothing has influenced the gameplay so much, and the freezers and frame rates would normally occur either immediately after my fast journey or during intermediate sequences. Moon Studios also work on a patch for the first day, allegedly ironing these problems. So we hope that this works like intends.

Ori and the will of the missilant The defects are low and largely negligible. The brilliance of the game suggests them from the beginning in the face and leaves only in the end. Almost every moment is finely worked out, almost every angle and every corner lovingly designed. With _ori and the will of the voice lights, _ The Moon Studios have recognized the full potential of their debut title and have entered the upper ranks of Metroidvania history.

_ This game was tested on the Xbox One. _

THE GOOD

Fast, liquid movement; Narrow platform; A large map full of varied places; Reward for exploration; Emotionally resonant history; Excellent music; Beautiful art design; Radically improved fight with different meaningful different weapons; Memorable boss fights; The revised progress system offers surprisingly much depth. Many appealing optional content; A new stroke-like area in which it is pleased to exist and to upgrade.